For me though, the most charming feature of this Rose Gold A. Lange & Söhne 1815 Up/Down Replica Watch is the bottom-heavy subdial layout, a sure sign (if any were needed from Lange) that the L051.2 movement definitely isn’t an off the shelf ebauche. And while the right-hand dial displays the running seconds, it’s the Auf/Ab indicator on the left that is the soul of this watch. If your deutsche is up to scratch (or you’re just observant), you’ll have worked out that Auf/Ab means Up/Down and that this is a power reserve read out, showing off the 72 hour power reserve. Aside from adding balance to the dial, the inclusion of the power reserve indicator again harks back to the time when this sort of watch was a critical tool, and knowing when it was about to stop telling the time was serious business.
Named for the year of founder Ferdinand A. Lange’s birth, the 1815 family of watches takes as its inspiration early marine chronometres. It’s logical that A. Lange & Söhne 1815 Up/Down Replica Watch , those masters of function and style, adopt this distinctive look as the trademark for their 1815 collection. With the blued sword-style hands, railroad minute track (with the brand’s distinctive triple dot at the cardinal points) and the ornate, Jugendstil numerals the 1815 Up/Down would look just as stylish in 1915 as it does today. First developed in the 18th Century, these ship-bound timepieces were extremely accurate, and a vital tool in navigation. And while the design isn’t what we’d associate with tool watches these days, make no mistake, legibility and reliability were the name of the game.
These days it’s less crucial, but there’s no doubt the A. Lange & Söhne 1815 Replica Watch looks the business – it’s a serious, sober watch, the sort of timepiece the mountains of Saxony have been producing for centuries. There’s no reason you couldn’t dress it down a little, but to really make that pink gold case shine, wear it with a suit.
Even though there’s no doubt that the darlings of A. Lange & Söhne Replica Watch lineup are the more contemporarily styled pieces like the Lange One and the Zeitwerk, there’s still a place for deeply traditional design the catalogue of Glashütte’s favourite son – and that’s the 1815 collection.